Just under a year ago, it opened as the Museum on the
Seam – for Dialogue, Understanding and Coexistence. The
attempt at dialogue and coexistence are not limited only
to Jews and Arabs, as one might expect, but rather to
Israeli society with its many and varied differences.
There is an attempt here to connect between ‘us’ and
‘them’ regardless of what those might be.
It is the type of place one wants to encourage people
to visit while not revealing the sheer power of the
visit. And powerful it is.
The Museum on the Seam is a socio-political contemporary art museum, located in Jerusalem. The Museum raises diverse issues for discussion with the goal of having an impact on public dialogue within a complex reality. The changing exhibitions shown at the Museum form a series of connected statements about human rights and reflect the thin line in human relationships between personal and national identity and social, ethnic and religious differences in their local and universal contexts.
The Museum is committed to addressing the social reality within our regional conflict, to advancing dialogue in the face of discord and to encouraging social responsibility that is based on what we all have in common rather than what keeps us apart.
Museum on the Seam is not a place you walk into, view
the displays and simply leave. Rather, it is truly an
interactive experience. The tour includes a magnificent lookout from
the museum’s rooftop, where a Cafe is planned.
Located on the seam between East and West Jerusalem
or what used to be the seam between Israel and Jordan
the museum is also on the seam of the ultra-orthodox and
secular neighborhoods. Not only is the museum now more
in step with the realities of the era, it offers a
thought provoking experience, replete with high-tech
ingenuity.
The building is best known to most as the Tourjeman
Post. In a previous incarnation, it served as a museum
dedicated to the divided/re-united city, Jerusalem. Like
the city that houses it, this is a place where old meets
new. The building’s outward exterior, a testament to its
history, is certainly not representative of the displays
inside. It is a place where twenty-first century
exhibits meet a war-torn balcony (see photo).
Originally built in the 1930’s by christian Palestinian architect (Andoni Baramki) for his family, the building was first captured
by the Haganah forces in 1948 and used as a forward
military position. Later, in 1967 it was once again on
the front. Both in the past, as in the present, the
building’s importance is based on geography. When the
city was divided, the area in which the museum is
located was known as the Mandelbaum Gate. The Mandelbaum
Gate area was the sole location for Israel-Jordan
Armistice Committee meetings, held between officers of
the IDF and the Jordanian Legion oficers, under the
auspices of the United Nations. In fact, the United
Nations building is just across the way from the museum.
Whether listening to the cacophony of vocal views,
from all walks of Israeli society; digitally drawing
graffiti on a wall where Israeli soldiers drew graffiti
while at their post; or walking the Corridor of Peace,
with quotes from Nobel Peace Prize laureates, this tour
is sure to make you ponder how dialogue, coexistence and
understanding can be achieved in today’s Israeli
society.
The renovation of the museum was made possible by a
contribution from the von Holtzbrinck family through the
Jerusalem Foundation.
The Museum is committed to addressing the social reality within our regional conflict, to advancing dialogue in the face of discord and to encouraging social responsibility that is based on what we all have in common rather than what keeps us apart.
Exhibition HEARTQUAKE was opened on July 18, 2008. The exhibition deals with identity and otherness in the face of anxiety. HEARTQUAKE seeks to expose and to emphasize people’s emotional confrontation with their surroundings, and to examine, through the prism of anxiety, their responses and as injurers and as injured, with the aim of understanding and reshaping the social relations among population groups in the global era.
The exhibition includes 35 leading artists from Israel and abroad who through their work examine the subject of anxiety and trauma and how these factors effect private and collective connections in the public arena.
Selected list of participating artists include:
Anselm Kiefer (Germany), Douglas Gordon (Scotland), Yael Bartana (Israel), Alfredo Jaar (Chile), Charles Sandison (England), Stephan Kaluza (Germany), Adam Adach (Poland), Max Streicher (Canada), Pavel Wolberg (Israel), Chiharu Shiota (Japan), Daniela Comani (Italy), Noh Suntag (South Korea).
The exhibition was developed through a meaningful curatorial dialogue with texts written by leading thinkers and writers, among them: Sigmund Freud, Homi K. Bhabha, Aviezer Ravitzky and Toni Morrison.
The museum is located at 4 Chel Handasa Street,
Jerusalem, 91016
02/628-1278 TEL
02/627-7061 FAX
Web site: Museum on the Seam
Directions: Buses # 2,5,10, 13, 48a, 49, 173, 174
Visiting Hours: Sunday – Thursday from 9:00 AM – 5:00 PM and Fridays from 9:00 AM – 2:00 PM.
Entry fees: Adult, 30 NIS/pp; Students, 25 NIS/pp; Senior Citizens, 15 NIS/pp
Groups (15-25 people) Adults, 20; Students, 15; Senior Citizens, 10 NIS (per person) + 100 NIS guiding fee.